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It is not clear what sparked the fight but t he unidentified black woman flies into a rage when the white woman uses the N-word, repeatedly screaming back, “Call me a n-r again!” Viral video of the so-called “Sacramento Karen” showdown begins with the pair screaming at each other from inside the convenience store Monday. New York man caught on video launching into racist road rage tiradeĪ black woman battered an elderly white shopper in a California 7-Eleven in a violent confrontation caught on camera after the white woman used a racial slur. Woman dissatisfied with food throws racist tantrum at Florida restaurant: video
Black gay fucking and cum eating on mountain bike movie#
Earlier this week, the cast of the cult classic Another Gay Movie reunited in Los Angeles for the film’s 15 th Anniversary.The story behind Juneteenth, one of America's oldest holidays Released in 2006, the movie follows four gay friends-Andy, Jarod, Nico and Griff–who, upon graduating high school, vow that they will all lose their “anal virginity” before their friend’s Labor Day party. Think of it as American Pie, but way gayer.
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It ruined our relationship.įull disclosure, prior to writing this, I had never seen Another Gay Movie. I know, I’m a terrible gay! But to be fair, I was a deeply closeted teen living in Montana when it was first released. My only relief in life up to that point was waiting until my parents went to bed so I could dial-up our AOL internet and watch some, ahem, adult films. So, in order to right such tragic wrong, I decided to give Another Gay Movie a much-belated viewing, to see what held up, what didn’t, and what had me wishing it was 2006 again… I really didn’t have time for LGBTQIA+ cinema back then. One of my favorite characters in the film. A bit of back story and a little meta humor:
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Nicco’s Mom was portrayed by Stephanie McVay who played the main character’s mother in the great but angsty 1998 gay coming of age and coming out film “Edge of Seventeen” (incidentally, Andersen Gabrych who plays Tyler “double popped polo boy”, was also in “Edge of Seventeen” as Rod, the love interest, and is featured on a poster that Nicco hangs up). Stephanie McVay’s character in “Another Gay Movie” is nearly the polar opposite of her character in “Edge of Seventeen” when it comes to parental acceptance of their gay child. There is a scene in “Edge of Seventeen” where she is playing the piano in a very sombre way and that is when she and her son have “the conversation” and she reveals a tragic lack of acceptance of his coming out. This scene was then spoofed in “Another Gay Movie”. Her character as the mother is once again playing the piano in a sombre fashion, but when her son walks in and comes out to her, instead of reacting the way she did in “Edge of Seventeen”, she says “Duh! What took you so long!” and proves to be the most supportive, pro-gay mother on earth. Its also meant to be a bit meta when Nicco puts up the “Edge of Seventeen” movie poster in his mother’s video store, seeing as how she was the mother in that film as well.A behind-the-scenes shot of Stanley Kubrick on set. (Credit: Mary Evans/MGM/Ronald Grant/Everett) 3. An Angry Stuntman Chased Kubrick off the Setĭuring production, Kubrick at first refused to let spacewalking stuntman Bill Weston wear a second cable for safety, although he was 30 feet above a hard concrete studio floor. This almost resulted in a serious accident when individual strands of Weston’s sole cable broke under his weight. In another incident, Kubrick refused to let Weston punch holes in the back of his space helmet, which meant the stuntman was perpetually on the verge of blacking out from carbon-dioxide poisoning as he engaged in complicated maneuvers while hanging high above the camera. When he actually did pass out, Weston, who’d been a mercenary in South Africa, took a minute to recover and then set off to find the director and teach him a lesson-a story originating from Weston himself. But Kubrick had fled the scene, causing production to grind to a halt for several days.Īctor Keir Dullea reflected in the lens of the HAL-9000 supercomputer. (Credit: Mary Evans/MGM/Polaris/Stanley Kubrick/Ronald Grant/Everett) 4. Some of the film’s most iconic features were decided during production for purely practical reasons. The mysterious black monolith began as a translucent Plexiglas tetrahedron, which ultimately assumed a monolith shape because Plexiglas cools better that way. But after paying massively for the big clear Plexi slab, Kubrick decided it didn’t look right-so production designer Tony Masters suggested the featureless black one, which Kubrick approved.